Pioneering Photographer Behind 'Black is Beautiful' Movement Passes Away at 85
Kwame Brathwaite, a photographer and activist whose work defined the aesthetics of the 'Black is Beautiful' movement of the 1960s and beyond, has passed away on April 1st, aged 85. His son announced his father's death in an Instagram post.
Born in 1938 to Barbadian immigrants in New York, Brathwaite was drawn to photography by two life-changing moments. The first was when he encountered a haunting photograph of Emmett Till's brutalized body at 17 years old. The second moment came when he saw a young man taking photos without a flash in a jazz club, sparking his imagination.
Brathwaite developed his skills using a Hasselblad medium-format camera and honed a darkroom technique that enhanced the visual narrative of his imagery. He went on to photograph jazz legends like Miles Davis, John Coltrane, Thelonious Monk, and others. Brathwaite's photography was not just about capturing the performances but also about conveying the mood and feeling of the music.
As an activist, Brathwaite used his photography to push back against whitewashed beauty standards. He co-founded the African Jazz Arts Society and Studios (AJASS) with his brother Elombe and began using his work to celebrate Black beauty in 1962. The group organized "Naturally '62," a fashion show featuring young Black women who embraced their natural hair, which ran regularly until 1992.
Brathwaite's focus shifted to other forms of popular Black music by the 1970s. He traveled to Africa with the Jackson Five and photographed historic events like the "Rumble in the Jungle" boxing match between Muhammad Ali and George Foreman. Brathwaite also commissioned portraits of Nina Simone, Stevie Wonder, Sly and the Family Stone, Bob Marley, and other music legends.
Throughout his career, Brathwaite continued to explore and develop his photography style, always staying true to the "Black is Beautiful" ethos. His work has been showcased in several exhibitions, including a major retrospective at the Blanton Museum of Art in Austin, Texas, which featured works up until 2018.
Kwame Brathwaite, a photographer and activist whose work defined the aesthetics of the 'Black is Beautiful' movement of the 1960s and beyond, has passed away on April 1st, aged 85. His son announced his father's death in an Instagram post.
Born in 1938 to Barbadian immigrants in New York, Brathwaite was drawn to photography by two life-changing moments. The first was when he encountered a haunting photograph of Emmett Till's brutalized body at 17 years old. The second moment came when he saw a young man taking photos without a flash in a jazz club, sparking his imagination.
Brathwaite developed his skills using a Hasselblad medium-format camera and honed a darkroom technique that enhanced the visual narrative of his imagery. He went on to photograph jazz legends like Miles Davis, John Coltrane, Thelonious Monk, and others. Brathwaite's photography was not just about capturing the performances but also about conveying the mood and feeling of the music.
As an activist, Brathwaite used his photography to push back against whitewashed beauty standards. He co-founded the African Jazz Arts Society and Studios (AJASS) with his brother Elombe and began using his work to celebrate Black beauty in 1962. The group organized "Naturally '62," a fashion show featuring young Black women who embraced their natural hair, which ran regularly until 1992.
Brathwaite's focus shifted to other forms of popular Black music by the 1970s. He traveled to Africa with the Jackson Five and photographed historic events like the "Rumble in the Jungle" boxing match between Muhammad Ali and George Foreman. Brathwaite also commissioned portraits of Nina Simone, Stevie Wonder, Sly and the Family Stone, Bob Marley, and other music legends.
Throughout his career, Brathwaite continued to explore and develop his photography style, always staying true to the "Black is Beautiful" ethos. His work has been showcased in several exhibitions, including a major retrospective at the Blanton Museum of Art in Austin, Texas, which featured works up until 2018.