Elizabeth McCracken's A Long Game is a breath of fresh air in the often stifling world of craft books and writing manuals. Unlike her predecessors, who often peddle their expertise with a chipper, encouraging tone, McCracken takes a more irreverent approach, defying expectations from the get-go. Her assertion that "nobody knows how to write a book" sets the tone for a refreshingly candid exploration of the creative process.
McCracken's prose is infused with a wicked sense of humor and a willingness to challenge the conventional wisdom that has dominated the world of writing workshops. She pokes fun at the overly simplistic advice that once filled these spaces, embracing instead the messy, intuitive nature of artistic expression. In doing so, she reminds us that writing isn't about following a set of rules or guidelines, but rather about surrendering to the chaos of the creative impulse.
This stance is both liberating and unsettling, echoing McCracken's own description of herself as a "naughty older sister" who behaves according to her whims. It's an attitude that will resonate with writers who have grown tired of being told what to do, how to write, or what topics to explore. For those who have been stifled by the relentless drumbeat of workshop feedback, McCracken's A Long Game offers a much-needed antidote – a healthy dose of self-loathing and creative defiance.
One of the most striking aspects of this book is its willingness to confront the myths that underpin our understanding of writing. McCracken tackles topics like daily writing routines with characteristic candor, offering an unorthodox solution in which the writer harnesses their own self-doubt as a driving force. It's a bold move that will leave some readers gasping for air, but those who are willing to take a chance on this unconventional approach may find themselves invigorated and inspired.
Ultimately, A Long Game is less about offering a set of practical tips or tricks than it is about embracing the beauty of chaos and creative uncertainty. McCracken's writing is an act of defiance, a statement that refuses to be bound by conventional wisdom or expectations. For writers who are ready to take a leap into the unknown, this book offers a vital reminder that the true power of writing lies not in its discipline or control, but in its capacity for liberation and self-discovery.
McCracken's prose is infused with a wicked sense of humor and a willingness to challenge the conventional wisdom that has dominated the world of writing workshops. She pokes fun at the overly simplistic advice that once filled these spaces, embracing instead the messy, intuitive nature of artistic expression. In doing so, she reminds us that writing isn't about following a set of rules or guidelines, but rather about surrendering to the chaos of the creative impulse.
This stance is both liberating and unsettling, echoing McCracken's own description of herself as a "naughty older sister" who behaves according to her whims. It's an attitude that will resonate with writers who have grown tired of being told what to do, how to write, or what topics to explore. For those who have been stifled by the relentless drumbeat of workshop feedback, McCracken's A Long Game offers a much-needed antidote – a healthy dose of self-loathing and creative defiance.
One of the most striking aspects of this book is its willingness to confront the myths that underpin our understanding of writing. McCracken tackles topics like daily writing routines with characteristic candor, offering an unorthodox solution in which the writer harnesses their own self-doubt as a driving force. It's a bold move that will leave some readers gasping for air, but those who are willing to take a chance on this unconventional approach may find themselves invigorated and inspired.
Ultimately, A Long Game is less about offering a set of practical tips or tricks than it is about embracing the beauty of chaos and creative uncertainty. McCracken's writing is an act of defiance, a statement that refuses to be bound by conventional wisdom or expectations. For writers who are ready to take a leap into the unknown, this book offers a vital reminder that the true power of writing lies not in its discipline or control, but in its capacity for liberation and self-discovery.