Completing the Puzzle: Jon Hassell’s Posthumous Legacy

The news of Jon Hassell’s posthumous album, Music Is Invisible (Pentimento Volume Three), arriving this fall has set off a ripple effect in the music world. It’s a testament to his enduring influence and the value placed on artistic completion.

Hassell’s collaboration with Rick Cox and John von Seggern on Music Is Invisible is particularly noteworthy. Their work together creates an intriguing dynamic, blending Hassell’s signature style with the duo’s unique contributions. Jeff Rona’s fine-tuned soundboard recording approach adds a layer of depth to the music, making it feel both intimate and expansive.

The album’s themes and motifs are a deliberate nod to Hassell’s earlier work, particularly Listening to Pictures and Seeing Through Sound. This attention to continuity highlights Hassell’s dedication to refining his artistic vision over time. The concept of “Pentimento,” or the appearance of earlier images in a painting, is aptly applied to music in this context – it represents a kind of sonic archeology.

Hassell’s passing on June 26, 2021, marked the end of an era for avant-garde music. His contributions to the genre were numerous and profound, from his pioneering work in the “Fourth World” musical aesthetic to his innovative approach to electronic music. The fact that Music Is Invisible will be released this fall underscores the importance placed on preserving and honoring artistic legacies.

The release of Music Is Invisible serves as a reminder of Hassell’s ongoing relevance. His influence can still be felt in contemporary music, from ambient electronica to experimental rock. The album’s themes and motifs will likely resonate with fans of his earlier work, while introducing new listeners to the world of avant-garde music.

As we approach the release of Music Is Invisible, it’s worth considering the broader implications of posthumous artistic releases. In an era where creative ownership is increasingly tied to commercial interests, Hassell’s legacy serves as a poignant reminder of the value placed on artistic vision and completion. His work continues to inspire and challenge listeners, even in death.

The album features songs like “Blue Ya-Ya” and “Broadway Boogie-Woogie,” promising an engaging and unpredictable listening experience. Hassell’s collaboration with Cox and von Seggern brings a new dimension to his music, one that is both nostalgic and forward-thinking.

In the months leading up to Music Is Invisible’s release, fans of Hassell’s work will be eagerly anticipating this final chapter in the Pentimento series. For those who’ve followed his career, it’s an opportunity to experience the culmination of his artistic vision – a chance to complete the puzzle that is Jon Hassell’s legacy.

The music world will continue to grapple with the implications of posthumous releases like Music Is Invisible for years to come. As we welcome this new chapter in Hassell’s discography, it’s essential to recognize both the value and challenges presented by such artistic completions. By honoring Hassell’s legacy, we’re reminded of the enduring power of music to transcend time and mortality.

The wait is almost over – on October 2, Music Is Invisible will be released, bringing with it a new chapter in the story of Jon Hassell’s remarkable career.